For video crews of one to three
One app from the enquiry to the invoice. The call sheet, the client’s page, the review cut and the invoice, all from one job, all on one link.

Every one of those is you, at night, moving information between apps that were never meant to know about each other. None of that is the filming. All of it is unpaid.
Cinella is the one place, and the client gets one link.
The order below is the order a job actually happens in. That is also the order it happens in inside Cinella.
They fill the job in for you. Your own enquiry form. What comes back becomes the job, so nothing gets retyped.

Contract and questionnaire on one link. Agreed and confirmed before the day, with no account for them to create.

Run of day, kit, shots, Set Mode. The day laid out once. Set Mode is the one screen you look at with cold hands.

Notes on the timecode, rounds counted. Watermarked review copy. Every note pinned to the second. The fourth version is visibly the fourth.

Approved in one tap, on the same link. Your client sees what was approved and when, next to the invoice. No new link, no “can you resend it”.

Built from what was agreed, so the number is not a negotiation. You see the day they open it, and the polite reminder is already written. One tap sends it.

An enquiry from a marketing lead, a contract with two rounds of changes, a shoot day with a call sheet, and an invoice with a deposit. The whole thing on one link.
A month of Reels for a café. One shoot day, one review round, one invoice. The client picks from the proofs on their page.
A long day with a run of day that changes. Set Mode on your phone, the crew on the call sheet, the film approved on the client's page.
A questionnaire before the day, a call sheet for the crew, and a review link the couple can open on their phone.
Shoot day
Set Mode turns the plan into the day. The clock, what is happening now, what is next, who to call. Tick shots off at arm’s length. Nothing else on the screen, because on set nothing else matters.

They open a page with your name on it. The call time, the contract, the draft to watch, the approval button, the invoice. No account, no password, no seven attachments in a thread.
Your work already looks like a studio made it. This is the part that catches up.

“I just like having everything in one place. I'm not searching through old messages five minutes before a shoot anymore.”
Tom, videographer, Cheshire
“I've tried other production software and found most of it a bit over the top. Cinella feels much more suited to smaller production teams.”
Charlotte, filmmaker, Cheshire
“I was a bit sceptical at first, but after using it on a couple of jobs it's become part of my normal workflow. It just makes sense.”
Dan, filmmaker, Liverpool
“Production admin is probably my least favourite part of the job, so anything that makes it quicker is a win. Cinella's definitely done that for me.”
Emily, videographer, Manchester
Fourteen days free, no card. We’re not the cheapest way to run a job. A doc, a group chat and a free transfer link cost nothing. This is for when that stops being free in the hours it costs you.
Built by Harry, a working videographer
Cinella was built by a videographer who was running every job across four apps and a lot of evenings. It does the parts of the job that are not the filming, and it is used on his own shoots first.
About CinellaAn email address and a password. No card.
The next shoot you have booked. The call sheet builds from the call time and the wrap time.
They confirm the day and agree the terms on their phone. That is the whole test.
No. Fourteen days free with nothing on file. If you do nothing, nothing is charged and the account goes read-only.
No. One link with your name on it, protected by a passcode.
No. Nothing goes to a client unless you tap send. The reminder is written for you, and you send it.
If it has earned its keep, add a card and it is £19 a month. If not, cancel in one tap and pay nothing. Your work stays viewable and exportable either way.